Who Wants to Marry a U.S. Citizen? Farmer Wants a Wife? Reality T.V. keeps sinking.

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reality_tv.jpg

Thanks to Drudge, I stumbled across this article. The title? “Show seeks to love match migrants and U.S. citizens.” Their goal? To marry off immigrants to the U.S. on temporary visas (almost entirely hispanic) to U.S. Citizens. They claim it proves that “love has no borders.” Instead, it simply proves that reality T.V. has no taste and sinks us lower and lower as a society. Lucky for us, this show has not been picked up, but I am actually expecting this show to be picked up by a cable network. Why? Because it’s drawing on the great Immigration debate and, with the Presidential elections in full swing, this show will garner attention and ratings as not only a horrible love show, but a political statement as well.

Let’s see what’s been placed on T.V. as “reality” recently and what’s upcoming:
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August Rush: A Must for any Musician or Instrumentalist

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august_rush_poster.jpgDon’t let reality stand in the way of this incredibly emotional, touching, and inspirational movie.Wait, what does that mean, you ask? Let me tell you a little bit about August Rush first, because I didn’t know anything about the movie before seeing it with my sister. August Rush (starring Freddie Highmore, Keri Russell, Johnathan Meyers, and Robin Williams) is really the story of Evan Taylor, a 12 year old boy who is a prodigy of music. It’s about his quest to find his mother and father, who themselves do not even know he exists. All three are separated by fate, but through Evan’s musical gifts and his journey, things slowly come together.The story is held together by its sentimentalism and by its emotion. Evan (who takes on the name August Rush as a stage name) is able to play organ and guitar when they first touch his hands (remember me saying something about not letting reality stand in the way?). He is able to do amazing things, just like his parents, and the story relies on your belief on the power of music to interconnect people, to move people, to change the world.
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Heaven and Hell - Live At Radio City Music Hall

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Music: Heaven and Hell – Live At Radio City Music Hall [DVD or 2-CD]
By: William Tyler Herring

The recording of the March 30, 2007 show at Radio City Music Hall of Heaven and Hell was one for the record books. Not only did the show sell out completely in a matter of a few hours, the night was captured on both DVD and a double live CD. The band in no way “phoned in” the performance, what you hear is what you would have heard if you had been there. The band featuring the classic second incarnation of Black Sabbath with the voice of metal Ronnie James Dio at the helm for vocals, accompanied by the legendary Tony Iommi on guitar, with Geezer Butler on bass, and Vinny Appice on drums.

HH7 This recording is significant for a couple of reasons. First, you need to know some history about Black Sabbath. After Ozzy left the band after the Never Say Die tour, the band needed a new singer, and their future was uncertain. Enter Ronnie James Dio, former vocalist of Rainbow (a band headed by Ritchie Blackmore of Deep Purple fame) and Elf. Ronnie already had quite a career behind him, with such things as Elf’s “Trying to Burn The Sun” album, as well as all of the Rainbow classics: Ritchie Blackmore’s Rainbow, Rainbow Rising, Long Live Rock And Roll, and even the gatefold LP On Stage live album. The Black Sabbath sound had gone from being a very heavy blues style on the first two albums (The self-titled album and Paranoid), to more of what can be construed as a doom sound (Master of Reality, Volume 4, Sabbath Bloody Sabbath, and Sabotage) with slower and even heavier riffs; which would spawn a lot of today’s metal bands, and especially the entire genre of what is now known as Doom Metal (bands like Candlemass, Solitude Aeturnus, Electric Wizard, and even bands that bear Black Sabbath song titles as names, such as Saint Vitus and Wall of Sleep). Then the band took a different turn and got more upbeat and jazzy, but Technical Ecstasy and Never Say Die not only didn’t sell very well, but the albums themselves are mostly put down by Sabbath fans (except for the track “Dirty Women” from the former). So the band obviously needed a change in direction.Once Ronnie entered the band, they began work on the album Heaven and Hell. This featured Black Sabbath performing not only faster songs than before, but Iommi’s soloing became more melodic and he had fills and guitar solos all over the place. The album is still considered to be one of Sabbath’s finest works. On the Heaven and Hell Tour, Bill Ward, Sabbath’s original drummer, left the band so he could combat his alcoholism – so they replaced him with the very capable Vinny Appice.

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Strikin’ and Survivin’

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The revolution will be televised – but it’ll be adlibbed.

As you’ve probably heard, the Writer’s Guild of America is on strike. Quite simply, the writers want paid – not for re-airings of shows or movies, they get that – but for streaming material appearing on network’s websites and downloaded material, such as from iTunes. Networks and movie studios claim that they make no revenue on this, and therefore can’t share what they don’t have. However, you must buy the download or watch commercials before the stream, so some money is going somewhere.

It isn’t a lot, not yet. But someday, there will be millions at stake. As technology progresses, more and more media will move to both TV and the internet, then solely to the net. The writers’ want to be compensated now while they also preparing for the future. It’s a complicated issue, but it seems elementary: if you write it, you should get paid for it.

But until both sides reach an agreement, there’s nothing but a bleak future that leads only to blank screens.

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Waxing on Wax: 11/27

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Hello, and welcome to the first week of Waxing on Wax, Lueniverse’s local music column. I will be utilizing 19 years (roughly) of music listening experience to decide on what is and isn’t worth your valuable time. So sit back, pop open a cold one, have a snack cake, and enjoy.

First up on the chopping block is the “new” Nine Inch Nails album Year Zero Remixed (or Y34RZ3R0R3M1X3D, depending on who you ask).

Year Zero Remixed Cover1. “Gunshots by Computer” - Saul Williams
2. “The Great Destroyer” - Modwheelmood
3. “My Violent Heart” - Pirate Robot Midget
4. “The Beginning Of The End” - Ladytron J Type Overdrive
5. “Survivalism” - Saul Williams
6. “Capital G” - Epworth Phones 666 Revolutions
7. “Vessel” - Bill Laswell
8. “The Warning” - Stefan Goodchild ft. Doudou N’Diaye Rose
9. “Meet Your Master” - The Faint
10. “God Given” - Stephen Morris & Gillian Gilbert
11. “Me, I’m Not” - Olof Dreijer
12. “Another Version Of The Truth” - Kronos Quartet & Enrique Gonzalez Muller
13. “In This Twilight” - Fennesz
14. “Zero-Sum” - Stephen Morris & Gillian Gilbert

A good album. Not great. We’ve come to expect a remix album after each Nine Inch Nails album, and it’s a great way to give us something new while staying familiar. That said, it’s still not new stuff, it’s just old stuff with a nice glossy coat.Stand out tracks on this album are “Gunshots by Computer” and “Survivalism”, both remixed by the always terrific Saul Williams, “Meet Your Master” by The Faint, and “Another Version Of The Truth” by The Kronos Quartet & Enrique Gonzalez Muller.

Saul Williams brings something new to the table, and his rap influences can be heard on both his remixes. It still remains decidedly NIN however, which should be the goal with any remix. The Kronos Quartet also brings something new and interesting to the equation. String quartets covering rock music has been gaining popularity for years in the “Unique Covers” crowd and it’s great to see one included in an official release. Their classical influences really shine through at parts and it adds a nice touch to Trent Reznor’s work.Keep in mind that this still isn’t a new album by any means, and if you didn’t like Year Zero, chances are that you won’t like this either. But for the people out there who loved Year Zero and are ready to tread into the deep end, this is a good album to hold you over until Year Zero Part 2.

Overall: 3/5

Next, we have Daft Punk’s new live album Alive 2007

Alive 2007 Cover 1. “Robot Rock / Oh Yeah”
2. “Touch It” / “Technologic”
3. “Television Rules the Nation” / “Crescendolls”
4. “Too Long” / “Steam Machine”
5. “Around the World” / “Harder, Better, Faster, Stronger”
6. “Burnin’” / “Too Long”
7. “Face to Face” / “Short Circuit”
8. “One More Time / Aerodynamic”
9. “Aerodynamic Beats” / “Forget About the World”
10. “The Prime Time of Your Life” / “The Brainwasher” / “Rollin’ & Scratchin’” / “Alive”
11. “Da Funk” / “Daftendirekt”
12. “Superheroes” / “Human After All” / “Rock’n Roll”

10 years after the forgettable “Alive 1997” Daft Punk more than makes up for it with this album from their Alive World Tour. The set was recorded at the Palais omnisports de Paris-Bercy and is considered to be one of the best sets from the tour. Almost every track on this album is worth listening to. Picking a favorite is tough, but if I had to, “Around The World / Harder, Better, Faster, Stronger” really brings the ruckus. This whole album is really an experience in itself though, splitting up the tracks would be like splitting up parts of a movie.

Daft Punk’s live shows really capture their music in a way no studio album can. Decisions about where to mix, what to change, everything is made on the fly. With a studio album, you have weeks or months of time to decide exactly how you want to lay out each part of the song, but you have a split second when you’re playing live, and Daft Punk has mastered the art. Alive 2007 pulls off exactly what the 2003 remix/rarity album Daft Club didn’t: Mixing Daft Punk’s catalog from Homework to Discovery with the energy it deserves.

Overall: 4.5/5

 

Think you’ve got the magic touch when it comes to music? Then prove it.